BRUTALISM

A new album from Deicide without a difficulty definitely come to the habitués between many albums that surfaced in 2008. From the contents that are emerged 10 compositions ( intro and outro) there are corrective points for. A title that reminds to the song that created by White Lion. That a little different from the past albums is where Deicide was usually brave for the words. Still forwarding The Stench Of Redemption where this album is appeared heavy sound and the guttural strength especially for vocal. Without simplicity, speeds get the essence unless slow parts still be found and veer impulse. Horrible but also awful with disharmonisation harmony from the beats and rhythms. Melodies also melded that put for the drilling and dark tones although sounded progressively directed to the heavy Metal. Really interesting for the effect and the sound like bees. Enthusiastically the plays that are interchanged the skills. Themes are similarly blasphemy and goth although more ethic and to the more logic, an ambiguities for the purpose due the verses. Some Nietche madness adopted so sick by this band. It’s possibly meaningful for almost 2 decades known as the satanic and anti-religion to begin the turn. But, nothing to mind that thing longer where the contributions are really for Metal music. There is much to listen the grunting-guttural from Glen Benton that emerges intense with short parts also scream. A few songs that can be explained here. “Not As Long As We Both Shall Live” that composed slow but awful and horrible, some drillings and double accuracy get the darker-deviant tones with blast speeds as the torn. Melodies are structured so progressive. An then “In The Eyes of God” which has dissonant feeling with the chords but in the harmonization for lead, groove also inspired for slow parts. Vocals are strong to prop and advancing for scream. Fast composition “Severed Ties” that created thick for the guitar riffs, much sense to up/down parts with the uncompromising beats. Here this album is categorized tremendous. Also the another, “Angel of Agony” that has explored riffs and frontal formingly from vocal with the invisible character due the intuition, the melody parts appear so austere with the effects. “Horror on The Hall of Stones”, probably as recessive song that the structure is more catchy and slow    with almost without many speeds for the riffs that set unpicked almost, other way from some because this song less heavy. Besides that, intro and outro arranged a little strumming and strengthening speeds to rely this album without vocals, compositions which have an unrestrained context. From the albums that have created by Deicide, this album is one of the best from musicality however, same than Scars of Crucifix also Serpent of The Lights. So, you will be mistaken if you are not to know this album certainly.
(review by Age)