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Updated: 33 min 56 sec ago
b"The Devil In I"/b, the new performance video from bSLIPKNOT/b, can be seen below. The clip was filmed during the band's Knotfest, which was held October 25-26 in Devore, California.
b"The Devil In I"/b is taken from bSLIPKNOT/b's new album, b".5: The Gray Chapter"/b, which sold around 132,000 copies in the United States in its first week of release to land at position No. 1 on The Billboard 200 chart. The CD arrived in stores on October 21 via bRoadrunner/b.
A disgruntled former drumtech for bSLIPKNOT/b has revealed the identity of the band's newest members by posting a picture of a backstage call sheet on bInstagram/b.
The sheet, posted by bNorm Costa/b, shows the names bJay Weinberg/b, their new drummer and bAlessandro Venturella/b, the bassist. While the sheet doesn't point out who is who, bVenturella/b's identity was pretty much revealed on accident in bSLIPKNOT/b's music video for b"The Devil In I"/b, where bVenturella/b's hand tattoos were visible.
Singer bCorey Taylor/b admitted he was unhappy when distinctive tattoos on bVenturella/b's hand identified him as bSLIPKNOT/b's new bassist. At the time, bCorey/b said, "I was, like, 'Why didn't we make him wear gloves?' I was so upset. I was, like, we thought of all this stuff. We put the hood on him and then the mask... And then there is his tattoos for everybody [to see]. I was, like, 'Well, we missed the mark on that one.'"
bSLIPKNOT/b's first major headlining tour in support of b".5: The Gray Chapter"/b, dubbed b"Prepare For Hell"/b, also featured bKORN/b and bKING 810/b.
The trek kicked off on October 29 in El Paso, Texas and wrapped up on December 7 in Boston.
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b"Undertow"/b, the new video from former bMEGADETH/b guitarist bMarty Friedman/b, can be seen below. The clip features an unsullied look at Japanese culture, says bFriedman/b, who moved to Japan in 2003.
"b'Undertow'/b gives you a look at the Japan not usually seen by the typical Japanese exports, like crazy TV shows, ultra-cute singers and anime," he says. "It shows a day in the life of Japan as the Japanese see it, not the stereotypical Western 'Japanophile' view of it."
Regarding the video's concept, bFriedman/b explains that "the b'Undertow'/b video attempts to show that when you see a thing of beauty, there is often an undercurrent of true sadness and hardship behind the scenes which creates the motivation to do something extraordinary."
bFriedman/b recently spoke to a href="http://www.wonderingsound.com/feature/marty-friedman-megadeth-j-pop-interview/" target="_blank"Wondering Sound/a about his decision to leave bMEGADETH/b in 1999 in order to make the kind of music that he was passionate about: Japanese pop music, or J-Pop, which bFriedman/b calls "embarrassingly happy."
"I found myself touring with bMEGADETH/b, and in my hotel room I'd be blasting this Japanese music all the time. What's wrong with this picture?" he said.
As his interest in J-pop grew, bFriedman/b started enjoying bMEGADETH/b less. "I thought I was doing myself a disservice just playing the same old stuff and not really enjoying it," he told bWondering Sound/b. "Making money from fans who want to see you play when you're not into it didn't really sit right with me."
According to bMarty/b, he simply outgrew metal, explaining that bMEGADETH/b's music began to bore him, and he singled out the band's popular ballad b"A Tout Le Monde"/b as an example.
"The melody's like duh duh duh duh, duh duh duh duh. It's kind of the same thing over and over again," he told a href="http://www.npr.org/2014/07/05/328513393/megadeth-guitarist-marty-friedmans-journey-to-japanese-pop" target="_blank"NPR/a in a separate interview. "I'd go play the show at night with bMEGADETH/b. And I'd be like, you know, what what I'm listening to is just so much more exciting than what I'm playing as my gig."
bFriedman/b told his bMEGADETH/b bandmates that he would leave the group at the conclusion of a 16-month-long tour, but "only stayed three more months." He explained to bWondering Sound/b: "It was just too much. I'm the kind of guy who can't fake it that well. It wasn't very nice, but I just couldn't go on anymore."
Focusing on the J-Pop genre, bFriedman/b noted that going for the opposite of metal was the whole point.
"There's not a whole lot of happy music going on," he told bNPR/b. "Especially in the heavy metal world, where everybody's just trying to out-lame each other, you know, with darkness and monsters and crap like that."
bMarty/b's new solo album, b"Inferno"/b, sold around 2,100 copies in the United States in its first week of release to debut at position No. 186 on The Billboard 200 chart. The CD was released on May 26 via bProsthetic Records/b (except in Japan, where the album was made available through bUniversal Music/b).
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bCROWBAR/b frontman bKirk Windstein/b believes that bands like bKISS/b should quit making new albums because their latest material doesn't come close to matching the quality of their classic output.
bWindstein/b, who credits bKISS/b with inspiring him to play music when he first heard the bPaul Stanley/b- and bGene Simmons/b-led outfit back in 1975, tells a href="http://www.echo-asylum.com/video/crowbar-interview/" target="_blank"Echo Asylum/a 's bInsanity/b: "You hate to say it, but some bands, as they get older, they put out a record as an excuse to go on tour."
He continues: "As big a fan as I am of bKISS/b, and, actually, after reading bPaul Stanley/b's book, I have a whole new insight on why they have bTommy Thayer/b and bEric Singer/b in bKISS/b, and I ido/i agree with Gene and bPaul/b that at this point they probably do belong in bKISS/b, even though bAce/b [bFrehley/b] is my favorite character and member. But with a band like bKISS/b, honestly, I wish that they would quit making records, because I haven't liked the last couple of records that they've done. I understand they wanna make new music, but Jesus, the guys are getting close to their mid-60s now, and it's, like, let's be honest… For the most part, the people [buy bKISS/b concert tickets] to see… they wanna hear b'Detroit Rock City'/b, b'Rock And Roll All Nite'/b, b'She'/b, b'God Of Thunder'/b, b'Shout It Out Loud'/b… I mean, they're not buying the tickets to hear the songs off the new record, and it's kind of like an excuse, like I was saying to just… It's just my opinion, [and] it doesn't mean shit, but, to me, I think they should just continue to do the classic bKISS/b stuff."
bWindstein/b adds: "The thing is there are a lot of bands that have been around a long time that are putting out amazing records, like bEXODUS/b and bTESTAMENT/b, a lot of bands that were very popular and kind of died down and are popular [again]… You know why? Because, I mean, it iis/i nostalgia, to a degree, but they're also putting out records that are fucking amazing. So we wanna be one of those bands. We don't wanna live off anything we've done in the past, we want to continue to build our audience with bCROWBAR/b and look forward. We don't have rearview mirrors on our fucking mirror. [We] just look forward and roll."
bCROWBAR/b's latest album, b"Symmetry In Black"/b, sold around 3,900 copies in the United States in its first week of release to debut at position No. 68 on The Billboard 200 chart.
bCROWBAR/b's previous CD, 2011's b"Sever The Wicked Hand"/b, opened with around 3,500 units to land at position No. 4 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.
b"Symmetry In Black"/b came out in North America on May 27 via bEntertainment One Music/b. The CD, which was made available in Europe on May 26 through bCentury Media Records/b, was produced by bCROWBAR/b guitarist/vocalist bKirk Windstein/b and bDuane Simoneaux/b and was mixed by bJosh Wilbur/b (bLAMB OF GOD/b, bGOJIRA/b).
On December 14, bDEF LEPPARD/b and bDOWN 'N' OUTZ/b lead singer bJoe Elliott/b was interviewed by bMick Burgess/b of bMetal Express Radio/b before bDOWN 'N' OUTZ/b's concert in Newcastle, England. You can now listen to the chat using the bSoundCloud/b widget below.
Asked about the progress of the songwriting sessions for bDEF LEPPARD/b's next studio album, bElliott/b said: "We've got lyrics to write for about four or five [songs], which I should be [getting back to work on], as soon as I get [done with this bDOWN 'N' OUTZ/b tour], I will be straight back in that mode. We've got about fifteen songs going. Seven or eight of 'em are [completely] written. The other seven are musically written that need melodies. I will get straight back [to work on that] in January."
Regarding the musical direction of the new bDEF LEPPARD/b material, bElliott/b said: "I don't know. It's a good question. It sounds like bLEPPARD/b. It sounds like what bLEPPARD/b should be doing at our age as well. It's a bit more… I don't wanna say 'mature'; that's the worst word you could ever say. But it's certainly not a childish record. I mean, there's a couple of songs on there that absolutely are typical bLEPPARD/b anthemic things. But there's a lot of cool stuff which is a lot more musical, if you like, and a lot more experimental, if you want, without being jazz or anything like that."
Guitarist bVivian Campbell/b, who once again has successfully battled back against Hodgkin's Lymphoma, told a Canadian radio station that because the band tends to record in stages, one is never really sure what the end result will be. "The way bDEF LEPPARD/b records work, the last guy in the studio gets to have the final word," he said. "So who knows? I'm not gonna be there because I have too much medical stuff going on. I'm kind of done at this stage. There may be a final session in January or February that I'll not be party to, so I have no idea what the final thing's gonna be."
He went on to joke: "All I can tell you is my involvement was with the first part of the record, and it was a hard rock record at that stage, so if it comes out being wussy, I'm not accepting blame. I'm throwing my hands in the air."
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Video footage of former bRATT/b singer bStephen Pearcy/b performing the song b"Slip Of The Lip"/b on December 19 at the Whisky A Go Go in West Hollywood, California can be seen below.
bPearcy/b told the b"Inappropriate Earl"/b podcast this past summer about his most recent split with bRATT/b: "It's a permanent vacation. I mean, 30 years is enough time to be in something that's so volatile.
"People have a different opinion and impression of what goes on in rock and roll, per se, or anything in the music industry. But time spent, and I just felt it was enough, things weren't proper, and it's okay, it's all good. I have other things to do and business ventures that take up a lot of my time.
"I mean, I'm out doing [select] shows [with my solo band], but I don't wanna go out and do massive tours. I just wanna go out and have a good time. Hence my solo band and why I do what I do…
"I do have a better time [my solo band]. There's less drama and there's less overall business structure; it's more back to basics. And, like I say, I've spent my time in this beast I created. And I'm enjoying what I do. I just like getting out there once in a while. Once in a while."
bPearcy/b also revealed that, in his view, the dysfunctional relationships between the bRATT/b members took a turn for the worse following tragic passing of guitarist bRobbin Crosby/b, who died of a heroin overdose in 2002 after battling addiction for many years, contracting HIV and eventually full-blown AIDS as a result of his drug use. He said: "The end of the bRATT/b tale, so to speak, is when bRobbin/b passed. I knew it would never be the same. And it didn't matter if we went out there and did what we did, or continued doing it. It's never gonna be the same. No disrespect to bCarlos/b [bCavazo/b], who's an amazing guitarist and person, or [bJohn/b] bCorabi/b, or whoever else stepped in. It's just not the same, and it never will be, and I knew it was. And hence all the catastrophe that followed."
Even though bPearcy/b announced his depature from bRATT/b in April, he once again reiterated during the b"Inappropriate Earl"/b interview that he '[left] the door open" to make another album with the band, which would mark bRATT/b's first studio release since the return of bassist bJuan Croucier/b. "If it's the original four guys, that would be cool," he said. "If it's not, well, then you'll get what you got before — b'Infestation'/b or the self-titled record. But until then, we'll see."
If it turns out the bRATT/b never releases another album with bPearcy/b or regroups with the singer for a tour, bStephen/b claims to be satisfied with what the band has achieved. "I'm happy with my legacy," he said. "I mean, we do very well for ourselves in publishing; we didn't give everything away. So it's all good. I'm content. I can live with it and move on, as I have many times before.
"If somebody holds a grudge or they got their feelings hurt because I can do other things, then that's their problem. I don't need to beat a dead rat, so to speak. And we'll end it at that.
"I like moving on. The heyday is over with, you know what I mean?! Some people like to live that heyday 24 hours a day, even at their age. I don't. There's better things to do."
During an April 2014 interview with the b"Trunk Nation"/b show, bRATT/b drummer bBobby Blotzer/b slammed bPearcy/b over the singer's latest exit from the group, saying: "Everything [bStephen/b] says is delusional and complete lies. He's so destructive… bStephen/b doesn't know how to play ball, he's not a team player. It's bStephen/b's way or there's no way at all… He walks on everything. He's walked four times. Again, this year, he's walked… He's tortured us. I mean, he's kept us hostage for years. 'I'm quitting. I'm not going.' He's canceled shows, he's canceled tours.
"I think the rest of the band has proven — and you can go to bYouTube/b, that we do — we go out there and we kick ass, and we're concise and we fucking play really good.
"But do I want him in the band? Yes, I do. I want the nice bStephen/b in the band."
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According to bThe Pulse Of Radio/b, bTHE PRETTY RECKLESS/b have had an incredible year in 2014 and plan to keep the momentum going in the New Year. One project on the band's agenda is an acoustic record featuring stripped down versions of songs from the group's recent hit album, b"Going To Hell"/b. Singer bTaylor Momsen/b told bLoudwire/b, "We're making it very simple, just giving the listener an inside look as to how the song started when I was sitting on my couch… It's something you don't get from an artist very often, how the writer actually wrote the song as opposed to hearing the produced, done version."
bMomsen/b told bThe Pulse Of Radio/b not long ago that the band's goal for b"Going To Hell"/b was to create a set of songs they would enjoy playing live. "I think we all were subconsciously writing with the idea that we have to play this for the next two years of — hopefully the next 10, 20 but, you know [ilaughs/i], at least the next tour cycle for sure. So we want to make it fun for us every night onstage."
b"Going To Hell"/b, bTHE PRETTY RECKLESS/b' sophomore album, was released last March.
The disc has yielded two No. 1 rock radio hits with b"Heaven Knows"/b and b"Messed Up World"/b, making bTHE PRETTY RECKLESS/b the first female-fronted act to have its first two singles both hit the top spot.
The latest single from the record is b"Follow Me Down"/b.
bTHE PRETTY RECKLESS/b will open for bNICKELBACK/b on a lengthy North American tour that begins February 14 in Allentown, Pennsylvania.
Now that the new bSMASHING PUMPKINS/b album, b"Monuments To An Elegy"/b, has been released, mainman bBilly Corgan/b said in a new interview with a href="http://www.theguardian.com/music/2014/dec/18/billy-corgan-smashing-pumpkins-interview" target="_blank"The Guardian/a that he's stupefied by the "three-star" reviews the disc is getting. bCorgan/b explained, "I thought for sure I would get really strong reviews for our new album, based on all the feedback I was getting. But I'm getting the same reviews I got back in the day, these kind of middling, muddling reviews that just won't fucking say: 'This is a fuking brilliant album from a brilliant artist.' It's always got to have a qualifier to it."
bCorgan/b told bThe Pulse Of Radio/b a while back that he puts an painstaking amount of effort into every song he records. "I'm more detail-oriented probably than anybody I've worked with," he said. "People commonly call it perfectionism, but I feel a little bit like a painter, because as the person who sort of generates the original idea and writes the song, I have to sort of put it all together. So it's like, if some element is not supporting another element that I'm intrinsically involved in, then there's some part of me getting disappointed."
The bSMASHING PUMPKINS/b frontman told bThe Guardian/b that he is not concerned about the bad reviews in the traditional press. He explained: "I'm not bothered by it on that level. What I'm bothered by is … how many years do I have to put in at the company? I don't want a gold watch, I just want what's fucking fair. I started with a group of artists in 1990, and along the years I've had to hear about how many different bands, how many different singers, this is the next big thing, this is the next bNIRVANA/b."
bCorgan/b added, "Here we are 25 years later, and how many fucking people are left?... There should come a point where it's like, 'Welcome to the rock 'n' roll club.' If I'd gotten the reward for the work I did during this generation that you love so much — the '90s — then maybe I wouldn't be looking for it now."
The bPUMPKINS/b founder and sole remaining original member sounded a similar note in an interview with bBillboard/b, saying, "Let's say you start with punk, '77 to now, I'm up there with the top writers. But I've still got to beg and stoop and be slavish to these great gods who are presiding over what? What are they presiding over? That's my big criticism."
b"Monuments To An Elegy"/b is the ninth bSMASHING PUMPKINS/b studio effort and follows up 2012's b"Oceania"/b.
The disc features bCorgan/b, guitarist bJeff Schroeder/b — the only other current "permanent" member of the bPUMPKINS/b — and bMÖTLEY CRÜE/b drummer bTommy Lee/b, who played on all nine of the set's songs.
bCorgan/b recently assembled a touring lineup of the bPUMPKINS/b that includes bRAGE AGAINST THE MACHINE/b drummer bBrad Wilk/b and bKILLERS bassist /bbMark Stoermer/b in addition to him and bSchroeder/b.
A second album, titled b"Day For Night"/b, is slated for release sometime next year.
Finnish / Dutch / British symphonic metallers bNIGHTWISH/b will release their new album, b"Endless Forms Most Beautiful"/b, on March 27 in Europe and March 31 in the U.S. via bNuclear Blast/b. The cover artwork for the CD was created by the band's longtime collaborator bToxic Angel/b.
b"Endless Forms Most Beautiful"/b features eleven new songs and will be released in different formats:
* Standard CD
* Digibook (including instrumental CD)
* 2LP (vinyl in gatefold) in different colors
* Earbook (including instrumental and orchestral CD)
* Earbook (deluxe version including bonus vinyl)
Pre-order your copy a href="http://shop.nuclearblast.com/en/shop/item/groups/51000.1.html?article_group_sort_type_handle=rankcustom_keywords=NIGHTWISH%20%20Endless%20Forms%20Most%20Beautiful" target="_blank"here/a.
The b"Endless Forms Most Beautiful"/b title came from bCharles Darwin/b's b"The Origin Of Species"/b book, where he wrote: "There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, while this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved."
Commented bNIGHTWISH/b keyboardist and main songwriter bTuomas Holopainen/b: "This classic quote is where it all began. We set sail for the ultimate journey in March 2015. Join us!"
A single called b"Élan"/b will precede the full-length CD on February 13. The four-track single features the album version of the title cut, a radio edit and an alternate version of b"Élan"/b, as well as the non-album bonus track b"Sagan"/b.
Regarding b"Élan"/b, bHolopainen/b said: "'Oh, while I live to be the ruler of life, Not a slave. To meet life as a powerful conqueror, and nothing exterior to me will ever take command of me.' This beautiful quote from my hero bUncle Walt/b [bWalt Whitman/b] was the starting point for writing b'Élan'/b.
"The underlying theme of the song is nothing less than the meaning of life, which can be something different for all of us.
"It's important to surrender yourself to the occasional 'free fall' and not to fear the path less travelled by.
b"Élan"/b track listing:
01. bÉlan/b (album version)
02. bÉlan/b (radio edit)
03. bÉlan/b (alternate version)
04. bSagan/b (non-album bonus track)
01. bÉlan/b (album version)
02. bÉlan/b (radio edit)
01. bÉlan/b (alternate version)
02. bSagan/b (non-album bonus track)
Pre-order your copy of b"Élan"/b a href="http://www.nuclearblast.de/en/shop/artikel/gruppen/51000.1.html?article_group_sort_type_handle=rankcustom_keywords=nightwish+%C3%89lan" target="_blank"here/a.
As previously reported, longtime bNIGHTWISH/b drummer bJukka Nevalainen/b sat out the recording sessions for the group's new CD due to health issues; bKai Hahto/b (bWINTERSUN/b, bSWALLOW THE SUN/b, bTREES OF ETERNITY/b) has replaced him.
bNIGHTWISH/b recently revealed the famed evolutionary biologist and atheist writer/leader bRichard Dawkins/b will appear as a guest on the band's eighth studio album.
Singer bFloor Jansen/b, who officially joined the band last year, made her live debut as the frontwoman of bNIGHTWISH/b on October 1, 2012 at Showbox Sodo in Seattle, Washington.
img src="http://assets.blabbermouth.net.s3.amazonaws.com/media/nightwishendlessformscd.jpg" alt="nightwishendlessformscd" width="593" height="593" class="aligncenter size-full wp-image-490871" /
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Although he won't reveal the hard details, bJimmy Page/b says that he's prepping new material for a comeback tour, according bThe Pulse Of Radio/b. During a recent chat with bClassic Rock/b magazine, bPage/b revealed, "I'm playing guitar at the moment, because I'm getting ready. I'm starting to get ready. At the end of that was gonna be what would manifest as me playing live… Whatever I do, I don't want everyone to have made up their mind what I'm doing before I've done it. I mean, they already have. On the Internet, people are telling me that, 'Oh, you're doing this, and you're doing that,' and I'm — 'Am I? Just wait and see what I do.'"
bPage/b shed a little light on the new material, saying, "It will be surprising… I'd like to obviously show what I've done along the way, but I'd definitely have musical surprises for people so they wouldn't sort of start yawning."
bJimmy Page/b explained that his songwriting process has stayed virtually unchanged throughout the years. "For me, it always starts with the guitar," he said. "Even though I wrote lyrics in the earlier days, I wasn't that keen top be doing that, so I wasn't sort of writing reams of poetry and putting the music to it. It was all about the music, and I guess, starting to develop my own techniques so it had a character to it."
There's been no release date announced for the upcoming bPage/b album, which will be his first true solo set since 1988's b"Outrider"/b.
bAC/DC/b drummer bPhil Rudd/b, who has been out on bail for nearly two months on charges of possessing cannabis and methamphetamine and threatening to kill, spoke to a href="http://tvnz.co.nz/national-news/phil-rudd-has-just-been-big-ball-cheese-rats-video-6210632" target="_blank"ONE News/a for the first time since his arrest, calling the charges against him "ludicrous."
"This has just been a big ball of cheese and all the rats are gathering and having a piece, that's just life, but that's not who I am," bRudd/b told bONE News/b.
"I want my job back, I want my reputation back, and I'm gonna get it back. I'm gonna fucking take it back.
"I'm going back to work with bAC/DC/b. I don't care who likes it or who doesn't.
"Everyone listens to the wrong people. They should listen to me. I'm a good guy, and I'm a pretty good drummer, by the way. Ask bAngus/b [bYoung/b, bAC/DC/b guitarist]. He'll tell you."
An unidentified man has claimed that he was approached by bRudd/b to work as the drummer's bodyguard and not to kill two people, as originally reported when bRudd/b was arrested last month. According to bThe New Zealand Herald/b, bRudd/b offered the man nearly $200,000 and one of the drummer's luxury cars as compensation. The man said that he considered bRudd/b a "good fella" and that the entire incident was blown out of proportion.
The murder-for-hire charged was dropped within hours of bRudd/b's arrest at his New Zealand home on November 6.
bRudd/b does still face a charge of "threatening to kill" as a result of a phone call he placed to a contractor, in which he allegedly threatened the lives of the contractor and his daughter.
bRudd/b is due back in court on February 10 for a hearing on the "threatening to kill" charges.
bRudd/b's legal situation makes his position with bAC/DC/b unclear at the moment. Although he did play on the band's newly released album, b"Rock Or Bust"/b, the group has not said whether he will be part of the lineup on next year's world tour.
a href="http://www.metalwani.com/2014/12/interview-napalm-deaths-barney-greenway.html" target="_blank"Metal Wani/a's bOwais "Vitek" Nabi/b and bSairaj Kamath/b recently conducted an interview with vocalist bMark "Barney" Greenway/b of British grindcore pioneers bNAPALM DEATH/b. You can now listen to the chat in the bYouTube/b clip below. A couple of excerpts follow (transcribed by bBLABBERMOUTH.NET/b).
On the musical direction of bNAPALM DEATH/b's upcoming 15th studio album, b"Apex Predator - Easy Meat"/b:
bGreenway/b: "Well, it's not reinventing the wheel, let's put it like that. It would be inaccurate of me to say so. But it's just a couple of steps forward, basically. There iare/i many different influences within bNAPALM/b, but I guess there's two quite distinctive styles, just on a listening level, and that's… you've got the very traditional, fast and chaotic, almost off-the-rails kind of bNAPALM/b approach, and then you've got a real kind of queasy, ambient, quite depressing [sound], actually, in a some ways. And we've been sort of doing the two in tandem now for many, many albums, but I think as time goes on, we're tending to mix the styles a little more… not better, necessarily, but in more inventive ways, and I think that's where we are now. That's about the best description I can give, because, obviously, you'll understand that, for us, the album's still really fresh, so I haven't fully digested it, even though I made the fucking thing, along with the other guys. But I have still yet to fully digest it."
On whether b"Apex Predator - Easy Meat"/b is another conceptual effort:
bGreenway/b: "Well, the funny thing is that every time I do an album — because I've done so many albums that could be considered conceptual — I always say to bShane/b [bEmbury/b], the bass player, 'You know what, bShane/b? I'm not gonna make this next one a concept album; it's gonna be completely loose.' And then every time it ends up being some kind of conceptual thread roaming through. But anyway, with all that said, the trigger event, really, for this album is something that is quite pertinent to the general Indian subcontinent or whatever and beyond. But the catalyst was the Rana Plaza distaster in Bangladesh a couple of years ago [when more than 1,000 people lost their lives when a nine-story factory building collapsed suddenly in Dhaka]. That was what really set me on the path of where we were going with this album. As soon as that thing in Bangladesh happened, I was, like, 'I have to do an exposé of this, to some degree, with the next album.'
"The reason the Bangladesh disaster struck a chord in me so much, aside from the actual nature of the event, is the fact that, first of all… As disasters go, you tend to find there's quite a lot of rolling coverage over a number of days, but with the Rana Plaza one, I felt like it was headline news for a day, and it very quickly dissipated. It kind of gave me the impression a little bit that life was somehow considered cheap in certain areas in certain parts of the world and under certain circumstances, and that really gave me an unpleasant feeling… So I took that whole thing, really, and then just widened it out a little bit, so we look at slave labor worldwide on the new album. Because, actually, there's more slaves now than, statistically, apparently, than there ever was in the history of recorded data. So think to that? When we're supposed to be a more humane world, or moving towards that. And then it widened out into other areas, so it ended up with quite a wide scope, really."
b"Apex Predator - Easy Meat"/b will be released on January 27, 2015 (one day earlier internationally) via bCentury Media Records/b. The CD's striking artwork, which can be seen below, was created by Danish designer bFrode Sylthe/b (bFriktion.com/b), who has previously worked on the band's b"Utilitarian"/b album as well as with such other acts as bAT THE GATES/b, bTOTALT JÄVLA MÖRKER/b, bTHE HAUNTED/b and bBURST/b.
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The bFolgers/b coffee company made a commercial in 2000 featuring bKISS/b frontman bPaul Stanley/b, but it was never aired, reportedly because focus groups asked, "Who is the old, creepy guy?" and the advertising agency pulled it. The full clip has now surfaced on bYouTube/b and can be seen below.
In an October 2000 interview, bStanley/b was asked how he came to do the bFolgers/b commercial. He responded: "Life is strange. I got a call asking if I was interested in singing a bFolgers/b commercial. And, like many other things, I thought, 'Why not?' I wasn't at all concerned with who thinks it is okay or not okay, cool, not cool, rock 'n' roll or not. I had a blast doing it, and, like I said, isn't that what this is all about?"
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Classic American metal band bSAVATAGE/b, which was active from 1978 until 2002, will reunite for an exclusive European appearance at next year's edition of the bWacken Open Air/b festival, set to take place July 30 - August 1, 2015 in Wacken, Germany.
Asked in a brand new interview with a href="http://www.vanyaland.com/2014/12/19/interview-trans-siberian-orchestras-chris-caffery-enduring-popularity-holiday-tradition-metal-misconceptions/" target="_blank"Vanyaland/a if bSAVATAGE/b has any plans for beyond bWacken/b for either live shows or new material, bSAVATAGE/b guitarist bChris Caffery/b said: "I'm gonna put it this way: for 12 years, 13 years, I've been waiting for my band to play again. We're playing again. I don't know what's going to happen after that [ilaughs/i], but there were people that were putting a fork in it, and we're getting up and not just running a marathon, were running in the Olympics with this festival being what it is. I'm not going to make any predictions, but let's just say there's a possibility that something more will happen after bWacken/b — that's all I can say. And nothing would make me happier."
bSAVATAGE/b's last album release, b"Poets And Madmen"/b, in 2001 was highlighted by bJon Oliva/b's return as lead vocalist, replacing bZak Stevens/b, who left the band citing family reasons, and the departure of bAl Pitrelli/b, who accepted an offer to join bMEGADETH/b in 2000. bPitrelli/b did record solos for some songs prior to his departure. Another very limited U.S. tour followed, supported by bFATES WARNING/b in the early shows, and then bNEVERMORE/b for the remainder. Around this time, bJon/b chose bZak/b's replacement in the form of bDamond Jiniya/b (bDIET OF WORMS/b). bDamond/b performed bZak/b's parts on tour, with bJon/b having an increased vocal role in proceedings.
Asked in a 2013 interview why he thinks that bTRANS-SIBERIAN ORCHESTRA/b has reached such a huge audience but bSAVATAGE/b in the '80s didn't, bOliva/b told bSongfacts/b: "Well, I think what happened with that mainly is that the name bSAVATAGE/b, we ran the course with it. And because of some bad mistakes that we made business-wise in our younger days before bPaul O'Neill/b, we never could quite recover from that and get into the bigger level. I mean, we did well. We did really good in Europe. But we never got bSAVATAGE/b to that level, and after 20-some odd years and then losing bCriss/b [bOliva/b, guitar] in the middle of that, we just weren't ready to continue. The fatal thing that happened was with the song '12/24' off the b'Dead Winter Dead'/b album . We sent the song out around Christmastime, and a station down in Florida started playing it, and it became a hit down here. bAtlantic Records/b sent that CD to every radio station in America and nobody would play it. They said, 'Why didn't you play the song?' It's like, 'Well, bSAVATAGE/b, that's a heavy metal band from the '80s. We don't play that shit.' They never even listened to it. You know how we know? Because the next year we sent the exact same song and put a Christmas tree on the cover and an angel and called it 'bTRANS-SIBERIAN ORCHESTRA/b,' and it was #1 on 500 radio stations. So that just goes to show you that what was holding bSAVATAGE/b back was bSAVATAGE/b. It wasn't the songwriting. It was the same, bPaul/b and I, and before that, bCriss/b, bPaul/b, and I. You know, the proof was in the pudding. b'12/24'/b, which is technically a bSAVATAGE/b song from the album b"Dead Winter Dead"/b, has sold millions of records. I've got them hanging on my wall. But when it was released as bSAVATAGE/b, it sold 30,000. So what does that tell you? It tells you that the name's turning people off for some reason, and that's what it was. Now look at what's happened. bTSO/b is one of the biggest bands in the world, it's unbelievable."
He continued: "It's funny to me, because it's bSAVATAGE/b. [ilaughs/i] I get a kick out of this. I'm like, 'It's bSAVATAGE/b with tuxedos and a bunch of other people from all around the world.' We bring in people from all around the world, which makes us kind of international, which I think is cool. But the thing that sells it is the music, bPaul/b's stories, and bPaul/b's poetry and the lyrics, and the way that bPaul/b and I work together when we write. There's a chemistry there."
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bArtisan News/b recently conducted an interview with the four members of the California rock band bPAPA ROACH/b. You can now watch the chat below. A couple of excerpts follow (transcribed by bBLABBERMOUTH.NET/b).
On why the band chose to record its eighth full-length album, b"F.E.A.R."/b, in Las Vegas:
bTobin Esperance/b (bass): "Well, we didn't actually choose it. The producers that we decided to work with [father-and-son super-producers bKevin/b and bKane Churko/b], that's their home base, and we just said, 'You know what?! It's all good. We can go to Vegas and make a record and not have to worry about any of the distractions that people… the clichés [they] bring up when you think of Vegas.' We just focused on getting the songs done and getting them written and getting them recorded and getting the fuck outta there. But it ended up being a really cool experience. I know bJacoby/b [bShaddix/b, vocals] talked about how he kind of focused more on the other side of Las Vegas — going out to the desert and tripping out, which influenced the… not tripping out on LSD, but just tripping around…"
bJacoby Shaddix/b (vocals): "In a meditative state."
bTobin/b: "And that kind of influenced also the [first] video, [b'Face Everything And Rise'/b]."
bJacoby/b: "[It was a] very cool place to make a record. We all went there consciously knowing that we just wanna focus on the music. I think if we made that record in Vegas ten years ago, I don't know if we would have made it out alive, to be honest. So I think we went there at the right time."
On what working with producers bKevin/b and bKane Churko/b contributed to the sound of the new album:
bJacoby/b: "I would say just their production tricks and qualities… It's large, it's bombastic, [and] it's in your face. It's like a big woman smothering [you] with her boobs. It's kind of like that; it's in your face, and it's just right there."
bTobin/b: "They definitely have a hand on that modern approach too. Their sound is this massive, modern approach to rock and roll."
bJacoby/b: "I think, also, with working with bKane/b, the younger one, [bKevin/b's] son, he listens to everything ibut/i rock and roll. He's just a fan of hip-hop music, pop music, avant garde music [and] jazz music; he's a deep thinker, you know… So he approached it from a very different standpoint than his father did, and that just added a different element to what we were doing. And I think that they both challenged all of us as writers, as well as we challenged each other in the writing process on the record. But it still sounds [very 'in your face']."
b"F.E.A.R."/b will be released on January 27, 2015 via bEleven Seven Music/b).
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The b92.7/b/b96.9 WRRV/b radio station recently conducted an interview with bGODSMACK/b frontman bSully Erna/b. You can now listen to the chat in the bYouTube/b clip below.
Asked how he went from playing drums in his earlier bands to eventually becoming the frontman in bGODSMACK/b, bErna/b said: "Well, I didn't plan on [it]. That was, actually, an experiment that just kind of turned into what it was. 'Cause, as you know, I spent my whole life playing drums, ever since my first band, [which] I put together I was eleven years old. And as I got into my teens, I started to get more serious about it, playing out and doing that kind of thing. And so, all the way up until I was about 25, 26 years old, I had been in just dozens of different bands and even signed a deal with bWarner/b/bReprise Records/b with a punk/metal band called bSTRIP MIND/b. And then, once that band kind of self-destructed, I was kind of losing sight of my dream, because that was the moment that I thought, 'Well, I got my record deal,' and then it fell apart. Sometimes you don't really get that opportunity twice in a lifetime, so I quit music at that point and I just cut my hair and went to work for an attorney, and doing collections; it was a very straight, narrow path for me. But about a year into it, I started to get the bug again, and I was just, like, 'I can't stop playing. It's the only thing I know how to do really well.' So when I put a band together, I decided that, you know what?! Instead of following other people's direction and just being the drummer in the background, I'm gonna do this my way and put a band together. And at that point, some friends of mine had shown me some guitar chords and I was playing piano, and I just started to write my own stuff. And then I contacted bRobbie Merrill/b, my bass player, who was a mutual friend of my sister's, and us two got together and then pulled in a couple of other guys, and it was really supposed to be like a studio project, an experiment. And then people started hearing the demo and were really digging it, and so we kept going from there."
He continued: "I was terrible, man; I was a horrible singer. I mean, I'm not even kidding. When I first did my vocal tracks for the very first few songs that we did, I did all the drum tracks, all the guys did the guitar… all the music was done. And I stepped in the vocal booth and I started singing the first few notes, and I literally watched my bass player walk right out of the studio. I'm, like, 'Wow! Hang on, dude. I'll get this.' But that's kind of how it evolved, in a nutshell. And then from there, I realized I had a lot of work to do if I was gonna step out and be in front. And I just started watching frontmen that I thought were great frontmen — bJames Hetfield/b, bSteven Tyler/b, people like that. It took a little bit of this and a little bit of that, and I kind of made it into my own thing eventually, but it was definitely a process."
bErna/b revealed in a new interview with bThe Rock Revival/b that he recently finished shooting a role in a pilot for a proposed TV series along with bDrea De Matteo/b of b"Sons Of Anarchy"/b and b"The Sopranos"/b fame. Along with some potential film appearances, bErna/b said he hopes to continue building his acting resume.
The singer just completed some solo dates and will return to the road with bGODSMACK/b in 2015.
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bJacky BamBam of Philadelphia's /bb93.3 WMMR/b radio station conducted an interview with original bKISS/b drummer bPeter Criss/b on November 28 at the b"All Things That Rock"/b festival in Oaks, Pennsylvania. You can now listen to the chat at a "href="http://www.wmmr.com/shows/jacky-bam-bam/blogentry.aspx?BlogEntryID" =10668821" target="_blank"this location/a.
Speaking about the status of his long-awaited new solo album, bCriss/b said: "I'm sitting on it. I ain't rushing it. I'm not gonna say rock's dead, 'cause it isn't; it's far from dead. It's not what it used to be, let's say, rock and roll, so I'm kind of taking my time with this one. I don't wanna rush it. I've been sitting now, probably five years already, on it, but I've got [bROB ZOMBIE/b guitarist bJohn 5/b] playing some stuff on it, so it's a little heavier than my usual stuff, and I want it to be right. [I wanna] put out a good record."
bCriss/b, a breast cancer survivor, also spoke about being honored at this year's bCancer Research Treatment Fund's Hall Of Fame/b event on November 18 at the JW Marriot Essex House in New York City.
"Men get breast cancer," he said. "I don't like the word 'breast,' because it seems like a stigma, and right away you think it's [only] women, but it's not; it's one percent of men, and that's a lot of guys. Like if it was your dad, or your brother, or your son, you'd flip out really quick and go, 'Oh my God! Oh my God!' So I don't see enough education for guys, I don't see commercials on TV, a guy getting up there and saying, 'I am bJack/b' — God forbid — 'and I had breast cancer and I survived, and I wanna tell you men get it. So when you find anything, please go and get a checkup.' Nothing. And I'd like to see that change in my time. I'd like to make a change with that, man."
bCriss/b's last solo CD, titled b"One for All"/b, came out in 2007. bPeter/b produced the album himself for the first time, and was joined by guest musicians that included keyboardist bPaul Shaffer/b and bassist bWill Lee/b of b"Late Night with David Letterman"/b. The album featured a range of styles, from rock and jazz to blues and Broadway, and included covers of b"What a Difference a Day Makes"/b and b"Send in the Clowns"/b.
bCriss/b quit bKISS/b for the third time in 2004.
Fan-filmed video footage of bBUSH/b's December 12 performance at The Joint at Hard Rock Hotel in Las Vegas, Nevada can be seen below.
bBUSH/b's latest album, b"Man On The Run"/b, was released on October 21. It follows up bBUSH/b's 2011 comeback effort, b"The Sea Of Memories"/b, which was the first all-new bBUSH/b album in a decade.
bBUSH/b recorded b"Man On The Run"/b at bStudio 606/b, the private studio owned by bFOO FIGHTERS/b frontman bDave Grohl/b.
bBUSH/b reissued four of its previous albums on October 14 in remastered editions, including 1994's b"Sixteen Stone"/b, 1996's b"Razorblade Suitcase"/b, 1999's b"The Science of Things"/b and the 1997 remix LP, b"Deconstructed"/b. bBUSH/b frontman bGavin Rossdale/b told bThe Pulse Of Radio/b that putting the reissues together has been a bittersweet experience. "We've done some remastering of the stuff and we've got some nice things planned, some alternate versions of things," he said. "It's been quite nostalgic for me, going back into the past, I mean looking through oceans of old photographs and being maybe quite nostalgic when I try not to be nostalgic. It's fun and enlightening and heartwarming and sad all at once."
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Former bSLAYER/b and current bPHILM/b drummer bDave Lombardo/b was interviewed on the December 12-14 edition of bFull Metal Jackie/b's nationally syndicated radio show. You can now listen to the chat using the bPodbean/b widget below.
To see a full list of stations carrying the program and when it airs, go to a href="http://www.fullmetaljackieradio.com/" target="_blank"FullMetalJackieRadio.com/a.
Asked what prompted the decision to forgo the improvisational aspect of the first bPHILM/b album in favor of a more structured, creative approach on the group's follow-up effort, b"Fire From The Evening Sun"/b, bDave/b said "Well, I heard the reviews and read the reviews and took in consideration what journalists and fans were feeling and saying, and I felt it was time us to make an album like this. We showed them what we could do in the avant grade world and the improvisational style of writing, but that was something for that album. And on this one, we just wanted to make it a little more concise and complete with some solid structures and songs that would appeal more to, let's say, the metal fan base rather than to a more avant garde or jazz style. Which makes total sense, 'cause that's where my fans are, so I need to give them what they want."
Regarding what the most unusual thing is for him about being in a more creative role in bPHILM/b than he was in some of his previous projects, bDave/b said: "I think it's how fluid the creative process is. We are all in a room together and we press 'record' and we start playing, and whatever it is that happens at that moment is captured. And what we do is listen back to those recordings. They can be, like, 20 minutes to a half-an-hour improvisation session. Then what we do is listen for the… I call them little gems that you cut out of these session. And then we take that music and then we'll structure a complete song around that improvisation. So that's unique and it's unusual for me, because I've worked in the past with musicians that give you a set idea on what they want. And it leaves no room for creativity. It's just from one person; it's not like a fusion or a collective effort."
b"Fire From The Evening Sun"/b was released on September 16 (one day earlier internationally) via bUDR/b. The band's lineup is completed by guitarist/vocalist bGerry Paul Nestler/b (bCIVIL DEFIANCE/b), and bassist bFrancisco "Pancho" Eduardo Tomaselli/b (bWAR/b).
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Legendary bBLACK SABBATH/b singer bOzzy Osbourne/b joined bROYAL MACHINES/b on stage last night (Friday, December 19) at The Roxy in West Hollywood, California to perform the songs b"War Pigs"/b (bBLACK SABBATH/b) and b"Crazy Train"/b. Fan-filmed video footage of his appearance can be seen below.
bROYAL MACHINES/b is the new "all-star covers fun-times band" featuring former bCAMP FREDDY/b members bDave Navarro/b (bJANE'S ADDICTION/b, bRED HOT CHILI PEPPERS/b), bBilly Morrison/b (ex-bTHE CULT/b bassist, current bCIRCUS DIABLO/b vocalist), bDonovan Leitch/b (son of legendary folk singer bDonovan/b), and bChris Chaney/b (bJANE'S ADDICTION/b, bALANIS MORRISETTE/b), alongside frequent bCAMP FREDDY/b collaborator, singer bMark McGrath/b (bSUGAR RAY/b), and acclaimed drummer bJosh Freese/b (bTHE VANDALS/b, bDEVO/b, bA PERFECT CIRCLE/b). bFreese/b was unable to make last night's show and was temporarily replaced by bAdrian Young/b of bNO DOUBT/b.
Since its formation ten years ago when they rocked the opening of The Standard Hotel in Downtown Los Angeles at the invitation of bBrent Bolthouse/b, bCAMP FREDDY/b had performed on both coasts of America and on national television shows (b"The Tonight Show with Jay Leno"/b, b"Jimmy Kimmel Live!"/b, b"Late Late Show With Craig Kilborn"/b, b"Last Call with Carson Daly"/b).
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div align=center blockquote class="instagram-media" data-instgrm-captioned data-instgrm-version="4" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"div style="padding:8px;" div style=" background:#F8F8F8; line-height:0; margin-top:40px; padding:50% 0; text-align:center; width:100%;" div style=" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;"/div/div p style=" margin:8px 0 0 0; padding:0 4px;" a href="https://instagram.com/p/w0jEkUvNmn/" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_top"Royal machines with OZZY!/a/p p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;"A video posted by @diceman35 on time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2014-12-20T08:00:54+00:00"Dec 12, 2014 at 12:00am PST/time/p/div/blockquote
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div align=center blockquote class="instagram-media" data-instgrm-captioned data-instgrm-version="4" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"div style="padding:8px;" div style=" background:#F8F8F8; line-height:0; margin-top:40px; padding:50% 0; text-align:center; width:100%;" div style=" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;"/div/div p style=" margin:8px 0 0 0; padding:0 4px;" a href="https://instagram.com/p/w0kQ87vcVv/" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_top"Ozzy on stage right now at the Roxy with Royal Machines.../a/p p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;"A video posted by MayorsManor (@mayorsmanor) on time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2014-12-20T08:11:20+00:00"Dec 12, 2014 at 12:11am PST/time/p/div/blockquote
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div align=center blockquote class="instagram-media" data-instgrm-captioned data-instgrm-version="4" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"div style="padding:8px;" div style=" background:#F8F8F8; line-height:0; margin-top:40px; padding:50% 0; text-align:center; width:100%;" div style=" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;"/div/div p style=" margin:8px 0 0 0; padding:0 4px;" a href="https://instagram.com/p/w0kCGsPNnj/" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_top"Ozzy, Dave Navarro, Royal Machines...crazy train/a/p p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;"A video posted by @diceman35 on time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2014-12-20T08:09:18+00:00"Dec 12, 2014 at 12:09am PST/time/p/div/blockquote
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(Thanks: a href="http://themetalden.com/?p=42083" target="_blank"The Metal Den/a)
bKISS/b has collaborated with the Japanese pop group bMOMORIO CLOVER Z/b on a new single, to be released on January 28, 2015. The track b"Yume No Ukiyo Ni Saitemina"/b was composed by bKISS/b guitarist/vocalist bPaul Stanley/b and bGreg Collins/b, with lyrics written by bYuho Iwasato/b. bMOMOIRO CLOVER Z/b performs the song, with bKISS/b providing background vocals and instruments. It will be released in two versions — b"Momoclo Edition"/b and b"KISS Edition"/b — via biTunes/b in 120 countries. A music video for the track, featuring both bands, has already been shot in Las Vegas.
Both the b"Momoclo Edition"/b and b"KISS Edition"/b of b"Yume No Ukiyo Ni Saitemina"/b will feature the title track and one same coupling song, but the b"KISS Edition"/b will include the track titled b"Samurai Son"/b, which was made using b"Yume No Ukiyo Ni Saitemina"/b as its base. It is sung by bKISS/b while bMOMORIO CLOVER Z/b members participate on vocals. The b"Momoclo Edition"/b will come with a Blu-ray disc which contains the music video for the title track instead.
b"Samurai Son"/b will also be made available on bKISS/b' upcoming Japanese compilation b"Best Of KISS 40"/b, alongside 19 tracks spanning the band's four-decade career and a DVD featuring three exclusive live performances.
bMOMORIO CLOVER Z/b will open for bKISS/b on March 3 at the Tokyo Dome.
b"Best Of KISS 40"/b track listing:
01. bSamurai Son/b (U.S. mix) (KISS vs. MOMOIRO CLOVER Z)
02. bRock And Roll All Nite/b
03. bShout It Out Loud/b
05. bHard Luck Woman/b
06. bDetroit Rock City/b
07. bCalling Dr. Love/b
08. bChristine Sixteen/b
09. bLove Gun/b
10. bI Was Made For Lovin' You/b
12. bI'm A Legend Tonight/b
13. bLick It Up/b
14. bHeaven's On Fire/b
15. bTears Are Falling/b
16. bCrazy Nights/b
17. bGod Gave Rock 'N' Roll To You II/b
18. bPsycho Circus/b
19. bModern Day Delilah/b
20. bHell Or Hallelujah/b
01. bPsycho Circus/b
02. bShout It Out Loud/b
03. bHell Or Hallelujah/b
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